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As might be expected, the Parmenidean paradoxes provoked a considerable amount of contradiction and ridicule. The Reids and Beatties of that time drew sundry absurd consequences from the new doctrine, and offered them as a sufficient refutation of its truth. Zeno, a young friend and20 favourite of Parmenides, took up arms in his masters defence, and sought to prove with brilliant dialectical ability that consequences still more absurd might be deduced from the opposite belief. He originated a series of famous puzzles respecting the infinite divisibility of matter and the possibility of motion, subsequently employed as a disproof of all certainty by the Sophists and Sceptics, and occasionally made to serve as arguments on behalf of agnosticism by writers of our own time. Stated generally, they may be reduced to two. A whole composed of parts and divisible ad infinitum must be either infinitely great or infinitely little; infinitely great if its parts have magnitude, infinitely little if they have not. A moving body can never come to the end of a given line, for it must first traverse half the line, then half the remainder, and so on for ever. Aristotle thought that the difficulty about motion could be solved by taking the infinite divisibility of time into account; and Coleridge, according to his custom, repeated the explanation without acknowledgment. But Zeno would have refused to admit that any infinite series could come to an end, whether it was composed of successive or of co-existent parts. So long as the abstractions of our understanding are treated as separate entities, these and similar puzzles will continue to exercise the ingenuity of metaphysicians. Our present business, however, is not to solve Zenos difficulties, but to show how they illustrate a leading characteristic of Greek thought, its tendency to perpetual analysis, a tendency not limited to the philosophy of the Greeks, but pervading the whole of their literature and even of their art. Homer carefully distinguishes the successive steps of every action, and leads up to every catastrophe by a series of finely graduated transitions. Like Zeno, again, he pursues a system of dichotomy, passing rapidly over the first half of his subject, and relaxes the speed of his narrative by going into ever-closer detail until the consummation is reached. Such a poem as the Achilleis of modern critics21 would have been perfectly intolerable to a Greek, from the too rapid and uniform march of its action. Herodotus proceeds after a precisely similar fashion, advancing from a broad and free treatment of history to elaborate minuteness of detail. So, too, a Greek temple divides itself into parts so distinct, yet so closely connected, that the eye, after separating, as easily recombines them into a whole. The evolution of Greek music tells the same tale of progressive subdivision, which is also illustrated by the passage from long speeches to single lines, and from these again to half lines in the dialogue of a Greek drama. No other people could have created mathematical demonstration, for no other would have had skill and patience enough to discover the successive identities interposed between and connecting the sides of an equation. The dialectic of Socrates and Plato, the somewhat wearisome distinctions of Aristotle, and, last of all, the fine-spun series of triads inserted by Proclus between the superessential One and the fleeting world of sense,were all products of the same fundamental tendency, alternately most fruitful and most barren in its results. It may be objected that Zeno, so far from obeying this tendency, followed a diametrically opposite principle, that of absolutely unbroken continuity. True; but the Eleatic Palamedes fought his adversaries with a weapon wrested out of their own hands; rejecting analysis as a law of real existence, he continued to employ it as a logical artifice with greater subtlety than had ever yet been displayed in pure speculation.18

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ONE:There was no further hesitation. This was an adventure after the woman's own heart. With the purloined cloak covering her from head to foot she passed down the steps and into the roadway. Nobody noticed her, for the spectacle was not a very uncommon one. Under the shadow of the portico a little way off stood a motor, watched by a nightbird who would have done anything for a few coppers."I should like to know what you make of them," said Lawrence.
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ONE:"In and round about Vis people sleep in their cellars, as they are threatened frequently that the town will be set on fire."No servants were present, they had been sent away long ago. Tempting things were set out on a side table, and whoever wanted anything helped himself. The players were so intent upon their game that nothing could be heard beyond their laboured breathing.
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TWO:Thus Hetty out of doors and in the sunshine. She and Bruce had a thousand plans to make, a score of shops to look into. Their tastes were the same, and principally lay in the direction of the old and antique.

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TWO:Dick nodded and passed the report to Sandy.Just as she was, with her lace and silks and long flowing train, Leona Lalage raced down the garden. With a bitter little smile she wondered what her Society friends would say if they could see her at this moment. The thorns of a rose bush caught a drooping mass of frippery and tore it away, but the woman paid no heed. Her dressmaker's bill need never be paid.

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TWO:She came to herself again with a shudder and a feeling of anguish in every limb. She was not suspected yet, or even a fool of an English detective would not have shown her that picture. Broken and agitated as she was, her quick brain began to work again.

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THREE:She is that! Jeff agreed. Well, as Sandy must be reading, about where hes got in that letter, Mrs. Everdail, who goes in for society pretty strong, got a chance to be presented, this Spring, before the King and Queen of England at one of their receptions.
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THREE:"And may this be the last of the evils connected with my house."The seaplane sheered to one side in a violent slip as her pilot evidently tried to bank and kick rudder and lost control.